XIX Century World Fine Arts: From Classicism to Modernism
DOI:
https://doi.org/10.69760/portuni.0108008Keywords:
fine arts, Neoclassicism, Romanticism, Realism, Impressionism and SymbolismAbstract
XIX century represents a transformative epoch in the history of world fine arts, marking the decisive transition from the disciplined rationality of Classicism to the expressive freedom of Modernism. This period reflected the profound social, political, and philosophical shifts of an industrializing and increasingly globalized world. Artists began to challenge traditional hierarchies of beauty, truth, and representation, moving away from idealized forms toward explorations of emotion, perception, and individuality.
Through successive movements—Neoclassicism, Romanticism, Realism, Impressionism, and Symbolism—art became a mirror of modern consciousness, capturing the complexity, uncertainty, and dynamism of contemporary life. The democratization of artistic production, the rise of the independent artist, and cross-cultural exchanges expanded the boundaries of artistic creation and interpretation.
Ultimately, the 19th century laid the intellectual and aesthetic foundations of Modernism by redefining art as a medium of personal vision rather than imitation. It was an age of both continuity and rupture, where the ideals of the past coexisted with the impulses of innovation. In bridging the classical and the modern, the century forged a new artistic language—one that continues to shape global visual culture and the evolving quest for meaning in art today.
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