Contrasting Splendor: A Comparative Study of Baroque and Classical Styles in Visual Arts
DOI :
https://doi.org/10.69760/aghel.01024076Mots-clés :
Baroque Art, Classical Art, Art History, Comparative Analysis, Cultural Impact, Architectural LegacyRésumé
This article provides a comparative analysis of Baroque and Classical styles in descriptive art, examining their distinct characteristics, historical contexts, and enduring legacies. By exploring the emotional intensity and dramatic flair of the Baroque period alongside the restrained harmony and proportion of Classicism, the paper highlights how these styles reflect the philosophical and cultural shifts between the 17th and 18th centuries. The analysis extends to discussing the influence of these art forms on later movements and their continued relevance in modern art and architecture. This study not only delves into the stylistic elements that define Baroque and Classical art but also considers their impact on contemporary cultural and educational practices, thus offering insights into the persistent dialogue between historical art trends and modern expressions.
Références
Beech, D. (2015). Art and value: Art’s economic exceptionalism in classical, neoclassical and marxist economics (Vol. 94). Brill.
Brincker, B., & Leoussi, A. S. (2018). Anthony D. Smith and the role of art, architecture and music in the growth of modern nations: a comparative study of national parliaments and classical music in Britain and Denmark. Nations and Nationalism, 24(2), 312-326.
Brittin, R. V. (1995). Comparing continuous versus static measurements in music listeners' preferences. Journal of Research in Music Education, 43(1), 36-46.
Brown, A. P. (1980, April). Approaching Musical Classicism: Understanding Styles and Style Change in Eighteenth-Century Instrumental Music. In College Music Symposium (Vol. 20, No. 1, pp. 7-48). College Music Society.
Denecke, W. (2019). What Does A Classic Do? Tapping the Powers of a Comparative Phenomenology of the Classic/al. Recherche littéraire/Literary Research, 35, 29-57.
Gazda, E. K. (2002). The ancient art of emulation: Studies in artistic originality and tradition from the present to classical antiquity (Vol. 1). University of Michigan Press.
Kaup, M. (2005). Becoming-baroque: Folding European forms into the new world baroque with Alejo Carpentier. CR: The New Centennial Review, 5(2), 107-149.
Larsen, J. P. (1967). Some Observations on the Development and Characteristics of Vienna Classical Instrumental Music. Studia Musicologica Academiae Scientiarum Hungaricae, 9(Fasc. 1/2), 115-139.
Malcuzynski, M. P. (2009). The (Neo) Baroque effect: A critical inquiry into the transformation and application of a conceptual Field to comparative American studies. Comparative Literature, 61(3), 295-315.
Munro, T. (1946). Style in the arts: a method of stylistic analysis. The Journal of Aesthetics and Art Criticism, 5(2), 128-158.
Namig, S. S. (2015). Unforgettable Azerbaijani painter Huseyn Aliyev. Проблемы современной науки и образования, (12 (42)), 240-243.
Riegl, A., & Payne, A. A. (2010). The origins of baroque art in Rome. Getty Publications.
Rosenblum, R. (1957). The origin of painting: A problem in the iconography of romantic classicism. The Art Bulletin, 39(4), 279-290.
SADIGOVA, S. N. (2021). ARTISTIC FEATURES OF PATTERNS ON NAKHCHIVAN CARPETS. In European Scientific Conference (pp. 169-172).
SADIGOVA, S. N., & BAYRAMOV, M. A. (2022). BRIGHT COLORS OF THE AZERBAIJANI ARTIST AGA MEHDIYEV. In WORLD SCIENCE: PROBLEMS AND INNOVATIONS (pp. 134-136).
SADIKHOVA, S. (2022). NATIONAL PATTERN ELEMENTS ON THE CARPETS OF PEOPLE'S ARTIST OF AZERBAIJAN KAMIL ALIYEV. ANNALI D’ITALIA Учредители: Global Science Center LP, (29), 3-6.
SADIKHOVA, S. N. (2022). PRINCIPLES OF CREATION OF SOME GEOMETRIC ORNAMENTS AND THEIR MEANINGS. In WORLD SCIENCE: PROBLEMS AND INNOVATIONS (pp. 300-302).
SADIKHOVA, S. N. (2022). WORKS PERFORMED BY ARTIST HUSEYN ALIYEV IN THE GENRE OF REALISTIC LANDSCAPES. In EUROPEAN RESEARCH (pp. 208-210).
Sadikhova, S. (2023). MANNERISM IN ITALIAN ART IN XVI-XVII CENTURIES. Norwegian Journal of development of the International Science No, 120, 15.
Saisselin, R. G. (1992). The enlightenment against the baroque: economics and aesthetics in the eighteenth century (Vol. 32). Univ of California Press.
Sarkarati, F., & Alipour, R. (2022). Aristotelian Tragedy and the Art of Caravaggio A Comparative Study Based on the Concept of Catharsis. The Monthly Scientific Journal of Bagh-e Nazar, 19(108), 69-80.
Wellek, R. (1965). The Parallelism between Literature and the Arts. Ams Press.
Садыхова, С. Н. (2015). Hussein Aliyev’s caricatures in satirical journals. European research, (10 (11)), 135-137.
Садыхова, С. Н. (2017). ЖАНРОВЫЕ ОСОБЕННОСТИ ТВОРЧЕСТВА АЗЕРБАЙДЖАНСКОГО ХУДОЖНИКА ГУСЕЙНА АЛИЕВА. Декоративное искусство и предметно-пространственная среда. Вестник РГХПУ им. СГ Строганова, (1), 459-465.
Téléchargements
Publié
Numéro
Rubrique
Licence
© Acta Globalis Humanitatis et Linguarum 2024
Cette œuvre est sous licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International.
